Susan BOYNTON

Ouvrages

Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain (New York: Oxford University Press, 2011)

Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000-1125 (Ithaca: Cornell University Press, 2006)
 
Resounding Images: Medieval Intersections of Art, Music, and Sound, edited with Diane Reilly, Studies in the Visual Cultures of the Middle Ages, 5 (Turnhout: Brepols, 2015)
 
The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity, edited with Diane Reilly (New York: Columbia University Press, 2011)
 
Young Choristers, 650-1700, edited with Eric Rice (Woodbridge: Boydell and Brewer, 2008)
 
Musical Childhoods and the Cultures of Youth, edited with Roe-Min Kok (Middletown, CT: Wesleyan University Press, 2006)
 
From Dead of Night to End of Day: The Medieval Customs of Cluny, edited with Isabelle Cochelin, Disciplina monastica 3 (Turnhout: Brepols, 2005)
 

Articles

  
“Shaping Cluniac Devotion,” in A Companion to the Abbey of Cluny in the Middle Ages, ed. Scott Bruce and Steven Vanderputten (Leiden: Brill, à paraître)
 
“Monastic Liturgy, 1100-1500: Continuity and Performance,” in The Cambridge History of   Medieval Monasticism in the Latin West, vol. 2, The High and Late Middle Ages, ed. Alison Beach and Isabelle Cochelin (Cambridge: Cambridge University Press, 2020),  958-74
 
“Cluniac Spaces of Performance,” in Visibilité et présence de l’image dans l’espace ecclésial. Byzance et Moyen Âge occidental, ed. Sulamith Brodbeck and Anne-Orange Poilpré (Paris: Éditions de la Sorbonne, 2019), Byzantina Sorbonensia 30, 63-91
 
 “Music and the Cluniac Vision of History,” in Chant, Liturgy and the Inheritance of Rome: Essays in Honor of Joseph Dyer, ed. Daniel DiCenso and Rebecca Maloy, (Woodbridge: Boydell and Brewer, 2017), 407-430
 
“The Visual Representation of Music and Sound,” in The Routledge Companion to Medieval Iconography, ed. Colum Hourihane (Routledge, 2017), 483-95
  
“Sound and Image in the Middle Ages: Reflections on a Conjunction,” (with Diane J. Reilly) in Resounding Images: Medieval Intersections of Art, Music, and Sound, ed. Susan Boynton and Diane J. Reilly (Turnhout: Brepols, 2015), 19-30
 
“Restoration or Invention? Archbishop Cisneros and the Mozarabic Rite in Toledo,” Yale Journal of Music and Religion 1 (2015): 5-30
 
“La liturgie de Cluny avant l’abbatiat d’Hugues: problématique de la recherche,” in Cluny: Les moines et la société au premier âge féodal, ed. Dominique Iogna-Prat, Michel Lauwers, Florian Mazel and Isabelle Rosé (Rennes: Presses Universitaires de Rennes, 2013), 137-143
 
“From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries,” in New Perspectives on the Man of Sorrows, ed. Catherine R. Puglisi and William L. Barcham (Kalamazoo, MI: Medieval Institute Publications, 2013), 117-146
 
“Burriel, Palomares y el studio del rito hispánico en el siglo XVIII,” in El canto mozárabe y su entorno: Estudios sobre la música de la liturgia viejo hispánica, ed. Ismael Fernández de la Cuesta, Rosario Álvarez Martínez and Ana Llorens Martin (Madrid: Sociedad Española de Musicología, 2013), 647-668
 
“Troubadour Song as Performance: A Context for Guiraut Riquier’s ‘Pus sabers no’m val ni sens,” Current Musicology 94 (2012): 7-36
 
“Reproducing the Middle Ages in Eighteenth-Century Toledo,” in City, Chant, and the Topography of Early Music: In Honor of Thomas Forrest Kelly, ed. Michael Scott Cuthbert, Sean Gallagher and Christoph Wolff (Cambridge, MA: Harvard University Department of Music, 2013), 189-204
 
“The Language, Form, and Performance of Monophonic Liturgical Chants,” (with Margot Fassler), in The Oxford Handbook of Medieval Latin Literature, ed. Ralph Hexter and David Townsend (New York: Oxford University Press, 2011), 376-400
 
“Oral Transmission of Liturgical Practice in the Eleventh-Century Customaries of Cluny,” in Understanding Monastic Practices of Oral Communication (Western Europe, Tenth-Thirteenth Centuries), ed. Steven Vanderputten, Utrecht Studies in Medieval Literacy (Turnhout: Brepols, 2011), 63-78
 
“The Bible and the Liturgy,” in The Practice of the Bible in the Western Middle Ages, ed. Susan Boynton and Diane Reilly (New York: Columbia University Press, 2011), 10-33
 
“Plainsong,” in The Cambridge Companion to Medieval Music, ed. Mark Everist (Cambridge: Cambridge University Press, 2011), 9-25, 371-73
 
“Writing History with Liturgy,” in Representing History, 900–1300: Art, Music, History, ed. Robert A. Maxwell (University Park, PA: Penn State Press, 2010), 187-200, 258-62
 
“Medieval musical education as seen through sources outside the realm of music theory,” in The Teaching and Learning of Music in the Middle Ages and Renaissance, ed. Susan Forscher  Weiss, Russell E. Murray, and Cynthia J. Cyrus (Bloomington: Indiana University Press, 2010), 52-62
 
“A Monastic Death Ritual from the Imperial Abbey of Farfa,” Traditio 64 (2009): 57-84
 
“Emblems of Lament in Latin and Vernacular Song,” in The Church and Vernacular Literature in Medieval France, ed. Dorothea Kullmann (Toronto: Pontifical Institute of Mediaeval Studies, 2009), 222-48
 
“Religious Soundscapes: Liturgy and Music,” in The Cambridge History of Christianity, 1100-1500, ed. Miri Rubin and Walter Simons (Cambridge: Cambridge University Press, 2009), 238-53
 
“Libelli Precum in the Central Middle Ages,” in A History of Prayer, ed. Roy Hammerling (Leiden: Brill, 2008), 255-318
 
 “The Devil Made Me Do It: Demonic Intervention in the Monastic Liturgy,” in European Religious Cultures, ed. Miri Rubin (London: Institute of Historical Research, 2008), 89-106
 
“Reconsidering the Toledo Codex of the Cantigas de Santa Maria in the Eighteenth Century,” in Quomodo Cantabimus Canticum? Studies in Honor of Edward H. Roesner, ed. Rena Charnin Mueller, John Nadas, David Cannata, and Gabriela Ilnitchi (Stuttgart: American Institute of Musicology, 2008), 209-22
 
 “An Early Notated Song of the Sibyl,” in Hortus troporum. Florilegium in honorem Gunillae Iversen, ed. Alexander Andrée and Erika Kihlman (Stockholm: Almqvist & Wiksell, 2008), 47-56
 
“Boy Singers in Medieval Monasteries and Cathedrals,” in Young Choristers, 650-1700, ed.  Susan Boynton and Eric Rice (Woodbridge: Boydell and Brewer, 2008), 37-48
 
“Prayer as Liturgical Performance in Eleventh- and Twelfth-Century Monastic Psalters,” Speculum 82 (2007): 895-931
 
 “The Uses of the Liber Tramitis at the Abbey of Farfa,” in Studies in Medieval Chant and Liturgy in Honour of David Hiley, ed. Terence Bailey and László Dobszay (Budapest: Hungarian Academy of Sciences; Ottawa: Institute of Mediaeval Music, 2007), 87-104
 
“Troubadour Song as Performance” (in Catalan translation), Mot so razo 6 (2007): 75-89
 
“The Sociomusical Role of Child Oblates at the Abbey of Cluny in the Eleventh Century” (coauthored with Isabelle Cochelin), in Musical Childhoods and the Cultures of Youth, ed. Susan Boynton and Roe-Min Kok (Middletown, CT: Wesleyan University Press, 2006), 3-24
       
 “The Customaries of Bernard and Ulrich as Liturgical Sources,” in From Dead of Night to End of Day, ed. Susan Boynton and Isabelle Cochelin (Turnhout: Brepols, 2005), 109-129
 
“The Theological Role of Office Hymns in a Ninth-Century Trinitarian Controversy,” in In principio erat verbum. Mélanges P. Tombeur, ed. Benoît-Michel Tock, Textes et Etudes du Moyen Âge 25 (Turnhout: Brepols, 2005), 19-44
 
 “The Didactic Function and Context of Eleventh-Century Glossed Hymnaries,” in Der lateinische Hymnus im Mittelalter: Überlieferung-Ästhetik-Ausstrahlung, ed. Andreas Haug, Monumenta Monodica Medii Aevi, Subsidia IV (Kassel: Bärenreiter, 2004), 301-29
 
“From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality,” in Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000‑2000, ed. Nicholas Bell, Claus Clüver, and Nils Holger Petersen (Amsterdam: Rodopi, 2004), 319-40
 
“Orality, Literacy, and the Early Notation of the Office Hymns,” Journal of the American Musicological Society 56 (2003): 99-168
 
“A Lost Mozarabic Liturgical Manuscript Rediscovered: New York, Hispanic Society of America, B2916, olim Toledo, Biblioteca Capitular, 33.2,” Traditio 57 (2002) 189-219
 
“Work and Play in Sacred Music and its Social Context, ca. 1050-1250,” in The Use and Abuse of Time in Christian History, ed. R.N. Swanson, Studies in Church History 37 (Woodbridge: Blackwell, 2002), 57-79
 
“Les coutumes clunisiennes au temps d’Odilon,” in Odilon de Mercoeur, l’Auvergne et Cluny: La “Paix de Dieu” et l’Europe de l’an mil, Actes du colloque de Lavoûte-Chilhac (Nonette: Editions Créer, 2002), 193-202
 
“Glosses on the Office Hymns in Eleventh-Century Continental Hymnaries,” The Journal of Medieval Latin 11 (2001): 1-26
 
“Frammenti medievali nell’Archivio dell’Abbazia di Farfa,” Benedictina 48 (2001): 325-53
 
“Women’s Performance of the Lyric before 1500,” in Medieval Woman’s Song: Cross-Cultural Perspectives, ed. Ann Marie Rasmussen and Anne Klinck (Philadelphia: University of Pennsylvania Press, 2001), 47-65, reprinted in Poets and Singers: On Latin and Vernacular Monophonic Song, ed. Elizabeth Aubrey (Burlington, VT: Ashgate, 2009).
 
“Ricerche sul breviario di Santa Giulia (Brescia, Biblioteca Queriniana, ms H VI 21” (coauthored with Martina Pantarotto), Studi medievali 42 (2001): 301‑318
 
“Training for the Liturgy as a Form of Monastic Education,” in Medieval Monastic Education, ed. Carolyn Muessig and George Ferzoco (Leicester, London, New York: Leicester University Press, 2000), 7-20
 
 “Liturgy and History at the Abbey of Farfa in the Late Eleventh Century: Hymns of Peter Damian and Other Additions to BAV Chigi C.VI.177,” Sacris Erudiri 39 (2000): 253-280
                 
“Eleventh-Century Continental Hymnaries Containing Latin Glosses,” Scriptorium 53 (1999): 200-51
 
“The Sources and Significance of the Orpheus Myth in ‘Musica Enchiriadis’ and Regino of Prüm’s ‘Epistola de harmonica institutione’,” Early Music History 18 (1999): 47-74
 
“Performative Exegesis in the Fleury Interfectio Puerorum,” Viator 29 (1998): 39-64
 
“The Liturgical Role of Children in Monastic Customaries from the Central Middle Ages,” Studia Liturgica 28 (1998): 194-209
 
“Rewriting the Early Sequence: Aureo flore and Aurea uirga,” Comitatus 25 (1994): 21-42