3.3. Sémiotique Musicale (ex-axe notation)

Epistemologies of music analysis: What Theories, what Methods, for what Types of Music and in what Disciplinary and Cultural Contexts? (ema-2023)

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Conference website : https://ema-2023.sciencesconf.org/

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Nathalie HÉROLD

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Séminaire Épistémologie de la musicologie numérique. Le statut des approches mixtes (quantitatives/qualitatives).

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Contexte

Les outils numériques apportent de nouveaux moyens d’analyse et de comparaison qui font évoluer en profondeur les pratiques des humanités et qui redéfinissent leurs rapports aux sciences dites exactes (Bod 347, et 362). Cette évolution est à la fois visible et favorisée à travers la musicologie en raison de sa position à un carrefour interdisciplinaire où convergent, parmi tant d’autres disciplines, l’acoustique, les mathématiques, l’informatique, les statistiques, la linguistique, la littérature, la sociologie et l’histoire de l’art.

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IIIe Congrès Doctoral International Musique et Musicologie

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Chers Doctorants,

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Liszt

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Programme Liszt

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Light and Music: Appropriation, Metaphors, and Analogies

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In 1865, Liszt wanted to compose a “supernatural light” (“lumière surnaturelle”) to represent the calming of the storm in Das Wunder (The Miracle) from his oratorio Christus. Light is an important feature in his music as well as in the music of some of his contemporaries or successors such as Wagner, Mahler, Scriabin, Schoenberg, or Messiaen. With lyrics or purely instrumental music, totally or partially devoted to light, their works appropriate or express light in an Aesthetical, symbolical, or religious way, and with particular compositional tools.

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Penser, composer, pratiquer la musique à l’époque du Compendium musicae (1618) de René Descartes

Read more about Penser, composer, pratiquer la musique à l’époque du Compendium musicae (1618) de René Descartes

Penser, composer, pratiquer la musique
à l’époque du Compendium musicae (1618) de René Descartes

Poitiers, 8-9 novembre 2018
Colloque international organisé par l’université de Poitiers et Sorbonne Université / IReMus

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Théodora PSYCHOYOU

Théodora Psychoyou is Professor at the Music and musicology faculty at Sorbonne Université, a statutory member and current director of IR

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Nicolas MEEÙS

Professor emeritus, University Paris-Sorbonne

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NEMO-Online Volume 4 nos 6 & 7

NEMO-Online Vol. 4 Nos. 6 & 7 : Call for papers

Research groups CERMAA, ICONEA and IReMus are seeking papers for the sixth and seventh issues of NEMO. The theme, continued from the theme of NEMO-Online No. 5 (available here), is about ‘Musicology/Ethnomusicology: evolutions, problems, alternatives’.

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3.3. Sémiotique Musicale (ex-axe notation)